Baby Driver takes the express lane to awesome
You want a movie so groovy it’ll knock your socks off? You want car chases that would make Jason Bourne sit up in his seat? You want a soundtrack that would make The Guardians of the Galaxy jealous? I have four letters for you: B-A-B-Y.
A totally original script conceived, written, and directed by Edgar Wright (Shaun of the Dead), Baby Driver is a car chase movie. Straight up. It’s cool, it’s sleek, and the whole thing is packaged around a soundtrack that would make any road trip a winner. The chase scenes are electric, and each one is set to the perfect song to leave you white knuckled, and trying not to blink. Every single one has the feel of a carnival ride, like the whole theatre is moving. It’s exhilarating to watch.
Baby Driver’s chase scenes are instant classics, with the movie immediately taking its place among the best in the genre, like the Bourne series and “Bullitt”. Baby isn’t a Steve McQueen badass, though. Played by Ansel Egort, Baby is more of “good guy in a bad situation” character. He manages to anchor things down in a very talented ensemble cast, but he doesn’t exactly stand out.
Standing out is largely left to Jamie Foxx and John Hamm who both get to flex their character actor chops a bit. Jamie Foxx plays things on the edge and he does it well. You’re waiting for him to go off the whole movie, pretty much, and he’s a master at making you feel like it could happen at any moment. John Hamm manages to play a pretty likeable scumbag and always manages to stay relatable, even when at odds with the main character.